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From the beginning of April until the beginning of May 2015, Florian Teichtmeister and Michael Fitz stood in front of the cameras in Salzburg as a pair of Austrian-Bavarian investigators. ‘ Die Toten von Salzburg’ is directed by Erhard Riedlsperger, who, alongside Klaus Ortner, is also responsible for the screenplay. Other stars include Erwin Steinhauer, Fanny Krausz, Harald Windisch, Simon Hatzl and, of course, the stunning setting of Mozart- and Festival city Salzburg and its surroundings.
“Die Toten von Salzburg” is a coproduction between ORF and ZDF, supported through the television fund Austria (Fernsehfonds Austria), Stadt Salzburg and the Land Salzburg.
When there’s a murder in the border region of Bavaria and Salzburg, it is not always clear under whose authority the investigations should fall. When crooked real estate broker Holzer is found dead, Salzburg’s Major Peter Palfinger and Bavarian Chief Inspector Hubert Mur join forces. However, their partnership is not voluntary and they are off to a bumpy start due to their differences in character and opposing professional approaches. While Mur is a straightforward rationalist who reaches his goals through perseverance, Palfinger is fascinated by the complexity of the human psyche. Bound to a wheelchair since a paragliding accident a year ago, he has a different perception of people and the environment, seeing things that may remain hidden to others. Incomplete paraplegia. This diagnosis was a radical turning point in Palfinger’s ife. The incorrigible optimist, however, takes it as a challenge. He is convinced that his paraplegia is curable and he trains hard to prove it. Eventually he wants to conquer the Untersberg again. Without a wheelchair. On his own two feet.
Almost 80 years after the death of the founder of psychoanalysis, Robert Finster is taking on the role of the young Sigmund Freud – not a Freud who is spending his time on the couch with theory and analysis, but one who is on a restless, heated and wild hunt for a murderer.
Our young Sigmund Freud is lurching from one professional crisis to the next. The world is simply not ready for his theories – until a murderous conspiracy begins brewing in the dark alleys of turn-of-the-century Vienna, pulling him into the most hidden corners of human consciousness. At Finster’s side are Ella Rumpf as the infamous medium Fleur Salomé, and Georg Friedrich as war veteran Alfred Kiss.
The extravagant Vienna of the 1890s, famous for its decadence and the dark underbelly of its high society, is the backdrop for mysterious murders and political intrigues in the eight episodes of the Austro-German production. The series is directed by award-winning filmmaker Marvin Kren, who also wrote the scripts together with Stefan Brunner and Benjamin Hessler.
Freud is co-produced by Satel Film and Bavaria Fiction for ORF and Netflix, with the support of Vienna Film Fund, Austrian Television Fund, Creative Europe – MEDIA programme of the European Union and the Czech film fund. ZDF Enterprises handles international sales.
World premiere took place during the 70th International Filmfestival Berlin on February 24th 2020. Since March 23rd 2020 “Freud” ist available for streaming on Netflix around the world.
AUFGETISCHT (DISHED UP) is a 45-minute documentary format, which takes a thoughtful approach to portraying different regions and the lives of their inhabitants. It allows people to describe their creative interactions with existing resources, thereby creating a complex, distinctive and authentic portrait of their respective environments, avoiding all clichés.
AUFGETISCHT is interested in the little sensations of everyday life and examines them with a sensitive curiosity. Anything that happens can only happen here, in this particular place, and through this, identities are formed. The heartbeat of each region manifests itself in the work of its craftspeople, the creations of its artists, and in the produce that on the plates of its chefs.
Every person is unique and so is every landscape. Being able to discover and relate this is part of AUFGETISCHT.
The stories told are always personal yet representative of a region’s character, the script of each episode follows the course of a day – morning, midday, evening and night – which gives the format a fixed frame. While mealtimes, both lunch and dinner, are an integral part of each episode, they are interwoven in a way that allows the stories to unfold.
Beste Doku : Deutscher Filmpreis
The Russian city of Sochi on »Russia’s Riviera« is a traditional summer resort for Russia’s rich and beautiful. It was also chosen to host the 2014 Winter Olympics by the International Olympics Committee (the IOC). It was a bizarre choice.
The origins of the famous white horses can be found with the Berber people of North Africa. Legendary riders, the Berbers tamed these proud animals long before they became an embodiment of Austrian culture. Styrian filmmaker and ‘Romy’ winner Michael Schlamberger has set a cinematic monument to the Lipizzaner horses. Produced by SATEL and Science Vision, the film team meticulously traced the horses’ historical steps, leading them as far as Morocco, Andalusia, and Slovenia, but also to the Federal Stud Piber, the Heldenberg in Lower Austria and the Spanish Riding School in Vienna. At the Cannes Corporate Media & TV Awards in October 2013 the film was awarded the Silver Dolphin in the category ‘History and Civilization’.
2011 – 2013 | HD | 16:9 | 52 min | 5.1 & Stereo | German | English
Screenplay, Direction and Cinematography: Michael Schlamberger
Producers Heinrich Ambrosch, Bettina Kuhn, Rita Schlamberger
A coproduction of Science Vision and Satel Film